Auza Wave Packets bruksanvisning

Auza Wave Packets
9.7 · 1
PDF bruksanvisning
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bruksanvisningAuza Wave Packets


Times for the T stages. Max time is s, and min time
is s (completely skipping the stage). If in CYCLE-PING
excitation mode or LINKED LFO mode, the T knobs have
a different functionality (refer to MODES on p./ p.).


Wave Packets is a multi-talented complex modulation and audio source. The module allows you to craft 'wave packets', with each
of the main outputs deploying a different recipe from the contour function (linear segments between each time stage) and
frequency-dynamic oscillator (LFO or audio-rate oscillation which transitions through target frequencies) to produce a unique
modulation shape, burst of energy, or fragment/ phrase of audio.
CV Input with attenuverter for W (wave) parameter. Adds or subtracts to the
W knob position.
Waveform shape of the oscillator, with continuous morphing in between the
main shapes.
Trigger output at end of a full wave packet cycle
Trigger output at end of each stage
The toggle switch position determines the excitation mode (in conjuction with
the presence of a cable in the TRIGGER INPUT). Refer to MODES on p..
This input is used to excite a wave packet. The presence of a cable in this
input is also used in conjunction with the
it to set the excitation mode. Refer to MODES on p..
The sliders draw out a contour function (linear segments from each T stage
to the next), also referred to as the 'minimal contour line'.
The glide control determines the uidity of change in the F frequencies.
With no glide at the counterclockwise position, turning the knob clockwise will
progressively increase the width of the transition time about the T/T and
T/T stage boundaries, with a linear-sounding glide always ensured.
>> (GLIDE)
CV Input with attenuverter for D (depth) parameter. Adds or subtracts to each
of the D slider positions.
CV input (V per octave) modulation of oscillator frequency - a global
frequency (or rate) shift. If in AUDIO frequency mode, plugging a cable in to
V/OCT will semitone-quantise the frequency selection on the F knobs.
If F-SYNC is also used, V/OCT will modulate the F-SYNC frequency at V/Oct.
main outputs ( unipolar and bipolar). Output (leftmost) provides a direct
feed from the contour function, output (rightmost) provides a direct feed
from the oscillator, and the remaining outputs use the contour function to
sculpt the oscillator output in to various wave packet forms.
Refer to the outputs description on p..
Tapping the button will toggle between LFO and AUDIO frequency modes.
- Holding down the button for s while in LFO frequency mode will toggle LINKED LFO mode on and off.
- Holding down the button while toggling the EXCITATION MODE SWITCH to the up (CYCLE) position will activate CYCLE-PING excitation mode.
- Holding down the button while moving the >> (glide) knob will change the oscillator phase in ° increments (along the knob 'dot' markings).
- Holding down the button while moving the W (wave) knob fully clockwise or counterclockwise will change the saw wave shape direction.
Additional Modes/ Shift Parameters Access:
The module's oscillator traverses through target frequencies during the
course of a wave packet, represented on the module panel from left to right
with colours: green {T}, blue {T, SUS, T} and purple {T}.
- In LFO frequency mode, the F knobs are independent rate (frequency)
controls, each centred at Hz. Each LED above the F knobs ashes a sine
pattern at the corresponding rate.
- In AUDIO frequency mode, the middle (blue) F knob sets the 'base'
frequency, centred on note C. The left and right F knobs set starting/ ending
pitch offsets to the middle base frequency with a ± octave range. Therefore
a frequency transition prole similar to a pitch envelope can be constructed,
trackable in pitch using
V/OCT. The LEDs represent frequency using a
colour spectrum, and indicate the relationship between the
F knobs.
A tempo/ clock signal, LFO or audio oscillator output (primitive waveforms only)
can be plugged in to this input to clock in the oscillator frequency.
- In AUDIO frequency mode, the 'base' frequency of the wave packet is set by
the F-SYNC frequency plus a pitch offset added by the middle F knob. The left
and right F knobs add starting/ ending pitch offsets to this base.
- In LFO frequency mode, the F knobs function as individual clock dividers/
multipliers to the F-SYNC clock rate.

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